Academy Program Archives 2002

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 “library without walls” self-directed program of study.

 

 

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March, 2002

 

May, 2002

 

June, 2002

 

September, 2002

September 2002

 

Joint Presentation With Michigan Society for Psychoanalytic Psychology 

Drawn to the Asylum: In Search of Missing Parts (on the way to a possible conversation) 

A lecture with an audio-visual slide presentation 

 

Paper Presentation by Judith E. Vida, M.D.  

About Dr. Vida

Academy Introductory Remarks by Terri I. Egan, Ph.D.

 

ABOUT THE CONFERENCE

 

As human beings, we make use of the tools of our surround as we engage ourselves in “the stuff of life”. Taking up whatever is available to us (art, music, literature, action, conversation, etc) we find ways to construct and express those ideas and emotions, beliefs and values, pleasures and angst which reside in our innermost being— the very ‘marrow’ from which our psyche derives its shape.

 

Academy members hold the belief that the arts, humanities and anthropic studies (as opposed to medicine and its language of pathology, disease, treatment and cure) provide a natural home for expression of, and inquiry into, the very “stuff “ that constitutes life and its living. With this in mind, we are interested to hear from Dr. Vida about how/why she looks to art and the artist’s experience and devices to inform a larger understanding of the human condition, including her own.

 

Dr. Vida’s ideas enrich our study of the psychoanalytic arts which involves a free associative way of thinking, listening and learning that considers everyday-life decisions, behaviors, actions and feelings to be creative and meaning-filled forms of “conversation” with self and with others. The art of bringing this personal collage of human expression to language requires abandoning reliance upon theoretical, diagnostic and medical frameworks that limit, impede, and literally have nothing to do with a psychoanalytic conversation that creates room (as Yeats puts it) to “think in the marrow bone”. Such a conversation would depend on a “learned ignorance” that must wait for the emergence of a savoir that arrives out of an inner necessity known only to the individual, and which expresses itself in a form which embodies that person’s meanings. In such a process, perhaps certain missing (unworded) parts of a personal story can become known and understood in ways that might be useful to that person.

 

Offering alternatives to the Procrustean bed of medical thinking as a way of addressing problems in living, the Academy seeks to preserve a space wherein private meanings can be talked about and explored rather than pathologized. In such a space, each person can be viewed as an artist whose private , subjective reality has painted itself onto a canvas of assumptions, patterns, beliefs and "ways of being" that simply arrive with the person, and are NOT assumed in advance to be either known/shared by the therapist, or in need of being changed.

 

What implications might such possibilities hold for psychotherapy? for psychoanalysis? and for a psychoanalytic conversation in search of wording in some missing parts?

 

In keeping with the Academy’s vision and version of psychoanalysis as a creative, intellectual discipline dedicated to the understanding of the psyche, we welcome Dr. Judith Vida and her discussion of some differences between “art” and “Art”, in the context of her encounter with a collection of works of art made by residents of European psychiatric institutions over the course of 40 years.

To study, learn from, and speak about the art-ful ways in which people construct, interpret, and (re)present their own subjective reality stands in stark contrast to teaching pre-established methodology and rules of interpretation, whether that be in an art studio, an art gallery, or in a psychoanalytic consulting room.

Dr. Vida’s paper suggests that every spontaneous act of creativity is an act that creates meaning and presents its creator’s specific world in a real process that is to be distinguished from romanticized ideas about art, including art therapy.

 

June 2002

 

Speaking in the Borrowed Language: Mental Health as an Agent of Cultural Oppression

 

Presentation   by David Walker, Ph.D.

Academy Introductory Remarks by Linda J. Young

 

ABOUT THE CONFERENCE

Psychotherapy and psychoanalysis have been "applied" to myriad peoples and cultures, with reportedly demonstrable success in ameliorating problems and effecting change. However, important questions arise when these theories and methods are "applied" in cultures that do not share their fundamental assumptions. In these situations the "mental health treatment" may be seen as an attempt to superimpose one's own preferred, custom(ary) "ways of being" over that which is indigenous to (an)other with little regard for what gets lost, if not destroyed in the process.

Drawing from his experience as a psychologist working with the sovereign Yakama Indian Nation, Dr. Walker will share with us his observations of a dominant culture's efforts to change, modernize, medicate and otherwise 'colonize' the life experience of Native Americans. He will also speak to the enormous cost involved in vocalizing resistance to the pathologizing of differences between people as well as the personal growth he has experienced in opening himself to learning from his clients. Such a process necessarily has involved modifying and at times discarding his own long held premises, and engaging in a way of thinking and practicing that would, previously, have been unimaginable to him.

Members of the Academy will consider professional parallels in which a culturally dominant biomedical story for the addressing of human problems in living is increasingly silencing the voices of those therapists and clients who are interested in understanding and exploring personal meanings. This biomedical story has infiltrated our entire culture, requiring that nearly all manner of communication unique to the individual be viewed through the lens of diagnostic and statistical manuals, and that specific, dictated "treatments" be prescribed in accordance with these specific and dictated "disorders." Individuals coming for "treatment" are consequently viewed through this lens that pathologizes them, trapping them in a diagnostic system of thought that attempts to medicate and/or indoctrinate a more congenial adaptation to the dominant culture's way of thinking, feeling and behaving.


The Academy stands for an alternative to this:

What if it is possible to preserve a space where private meanings of the individual can be explored rather than pathologized?

What if the individual's way of making sense of the world and his/her own personal history is respected, understood, entered into and given mutual voice?

What if each person is viewed as a “culture” unto him/herself, whose private subjective reality has cultivated fundamental assumptions, patterns, beliefs and "ways of being" that simply arrive with him or her, and are NOT assumed in advance to be either known,/shared by the therapist, or in need of being changed?

What implications might such possibilities hold for psychotherapy? for psychoanalysis? and for "mental health treatment" as an agent of oppression? Can there be an "intercultural space" in the consulting room without overt or covert subjugation, indoctrination or domination?

 

May 2002

 

Joint Presentation With Michigan Society for Psychoanalytic Psychology 

Psychoanalytic Perspectives on Film: Paranoiac Visions and Neo-realities in the Recent Cinema

 

Paper Presentation by David L. Downing, Psy.D.

Academy Introductory Remarks by Linda J. Young

 

ABOUT THE CONFERENCE

This conference is one of a series sponsored by the Academy for the Study of the  Psychoanalytic Arts, which demonstrates how artistic forms of self-expression evidenced in various mediums such as film, have something important to offer to the study and under- standing of psychoanalysis. If we assume that all individuals are creative writers, directors and actors in their own screen plays of everyday life, then questions arise as to how we as clinicians are to witness, understand and ultimately participate in these screenplays. 

Academy members believe that creative and idiographic expressions of individuals' unique strivings are best honored and understood in realms which offer a non-medical perspective and exist outside of the semiotic matrix of meaning which the health care industry produces. Within the healthcare industry people are evaluated according to standardized norms of development and viewed through  lenses which color everything within their purview in terms of sickness and health. Such lenses are themselves comprised of pre-conceived notions and theoretical assumptions which speak the language of diagnosis, pathology, and  illness --all of which serve to narrate and edit in particular ways, the stories which people bring to us. Anything outside of the perceived norm is viewed as deviant or symptomatic of underlying illness that needs to be cured or otherwise  obliterated. As such, these notions and assumptions might be viewed as "influencing machines" of sorts, especially as they are used to fuel the bureaucratic, governmental and professional rules and regulations determining so many aspects of clinical practice including guidelines and standards of care and practice.

BUT...
What if the clinician chooses to not participate in the healthcare " influencing machine" but rather, attempts to focus on what is to be seen and understood through the already existing experiential and meaning-making lens of the individual? What if the clinician dares to travel outside of the traditional moorings of a society which views the individual from a  biomedical and bioethical perspective and chooses not to participate in the semiotic 'influencing" nomenclature of disease and medicine? Is it possible to create a language which enables us to speak outside of such a system of thought, thereby respecting and exploring the meanings to be found in the unique, idiosyncratic, creative productions of everyday life? 

 The Academy believes in such possibilities and invites anyone interested, to attend our programs and participate in the ongoing development of this exciting dialogue.

 

March 2002

 

Annual Academy Membership Meeting

Psychoanalytic Narratives: Writing the Self into Contemporary Cultural Phenomena

 

Paper Presentation  by Ian Parker, Ph.D.

To view an editorial written by Dr. Parker visit Critical Psychology: Critical Links, located on the Academy's website.

 

 

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